Back Panel : Clicking the Sonimus “S” logo allows you to access Burnley 73’s back panel.

Show Labels : Displays numeric values when knobs are tweaked.

Phase Invert : Inverts the phase of the output.

EQ In : Enables or disables the EQ section.

A white symbol indicates that the band is enabled. When the symbol is red, the band is bypassed. Bypassing BandsĮach band can be bypassed by clicking on the corresponding symbol above the knob. For a warm/analog sounding mix, experiment with using Burnley 73’s MIC or LINE saturation on multiple tracks and/or on your mix buses. Values higher than 40 will push the saturation effect into overdrive – great for warm and crunchy vocals, organ/keys, drums overheads, rooms, bass, or any virtual instrument.īurnley 73 can be used exclusively as a saturation plugin by bypassing the equalizer (by clicking the EQ IN button so that it appears grey). If you want to introduce more apparent saturation, use values from 20 to 40. If you want add a moderate amount of color/warmth to your track, use low values (from 10 to 20).

Mic saturation can be very aggressive at high values. MIC Saturation (imparted by turning the red knob to the left side) lends more color.>The left portion of the knob’s circumference governs the MIC saturation, which is warmer and can be aggressive when set to high values. The right portion of the knob’s circumference controls the LINE saturation, which imparts a very subtle effect.

Gain : The red knob controls the saturation level with two types of saturation: LINE and MIC.

High Shelv : fixed high shelf filter for high frequency control.

Mids : bell style filter with six selectable frequencies: 300hz, 700hz, 1.6khz, 3.2khz, 4.8khz and 7.2khz.

Low Shelf : low band control with four selectable frequencies: 35hz, 60hz, 110hz and 220hz.

High Pass : high pass filter with five frequency positions: OFF, 50hz, 80hz, 160hz and 300hz.

Values higher than 40 will push the saturation effect into overdrive – great for warm and crunchy vocals, organ/keys, drums overheads, rooms, bass, or any virtual instrument.

If you want to add a moderate amount of color/warmth to your track, use low values (from 10 to 20). LINE Saturation (introduced by turning the red knob to the right side) is a subtle saturation – ideal for adding just a bit of color to your tracks.Supported platforms: VST 2.4, VST 3.0, AU, AAX, and RTAS.Analog style modelled saturation: LINE and MIC.Three bands, HP filter, gain, and output controls.Inspired by the classic 1073 Equalizer.

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